Peter Visser Composer

 

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Sound Examples

Comments BUMA/STEMRA: "The music works are protected by author rights. Peter Visser has been granted permission for use by BUMA/STEMRA. The copyright for any material on this website is reserved. Any duplication or use of objects such as images, sounds or texts other then for personal use - eg. sales, distribution or other electronic or printed publications is strictly prohibited without the author’s agreement "

1) 1) Example of a Brucknerian beginning rising from a nature sound (fifth): start Symphony nr. 1 (1991/92) for large orchestra by the Viotta Youth Orchestra lead by Wim Bredenhorst in the Schönbergzaal in the Royal Conservatory of The Hague.



  • 2) Concerto for Horn Trio and strings (1994) by the Hoorntrio Prague and the Atheneum Chambre Orchestra (AKO) lead by Qui van Woerdekom, Royal Conservatory of The Hague.



  • 3) First page Sonata for cello and piano (1993) by Emile Visser (cello) and Frank den Herder (piano).



  • 4) Examplary songs for other instruments: "Songs of Unity" on Middle age - indian text from Kabir, for lyrics and guitar (1986). Tilly Spaapen, mezzo; Frans ten Cate, guitar



  • 5) Piano music Peter Visser; "Campane" for piano 4-hands inspired on bell sounds (1998), by the piano duet Rixt v.d. Kooij/Jan Willem Nelleke.



  • 6) Motoriek en Sprechgesang in songs; second song from "Liederen in het Duister" (1986) on text of Josef Eijckmans, by bariton Frans Huyts and piano player Jan Willem Nelleke.



  • 7) Impressionistic/folcloristic beginning with sound experiments : start String trio "Ruimte" (1982/85) by the Aitos Trio: Frank de groot (violin), Liesbeth Steffens (altviolin), Koen Schouten (cello).



  • 8) Long melodic line in music for winds: part two (Nocturne) from the "Trois pastorales" for flute kwartet (1985), played by the Syrinx Fluitkwartet with Liesbeth Niesten first flute.



  • 9) Accompany "professionals" and amateurs: start "Antifonen", concertante symphony for large ad hoc amateur-string sensemble, Atheneum Chambre Orchestra, 2 solo-celli and solo-contrabas (1992), all lead by Qui van Woerdekom.



  • 10) New approach of the tonality and austerity in a late piano work : piece form a part of the suite Nieuwe Twaalftoonsmuziek.



  • 11) Example of orchestration: a quatre-mains piano work from Peter Vissers favourite composer: Franz Schubert . The start of Andante from Schuberts Grand Duo being played by the then Hague orchestra Carpe Diem lead by Marco Bons.



  • 12) Example of music for wind ensembles: start of the Gotic Phantasy for two wind kwintets, by the Atheneum Wind Consort lead by Ali Groen.

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